inspiration to share

Working side by side enhances engagement, not estrangement

Working side by side enhances engagement, not estrangement

Pardon its dog-eared appearance but that's the way it goes for a book which has traveled hundreds of miles, had coffee spilled on it, and been underlined more times than we can count.

Why is it a great business book for a high aspiring business and organization?   Friedman takes you behind the scenes, out into the open office, meeting spaces and into the board room

Looking around for inspiration

When designing your home, office or place of work where do you turn for design inspiration? We often look for inspiration locally, in the place and region we are working in. We do so to help clarify the mood and character of the place and spaces we hope to cultivate and design. We think its crucial to the place based design we favor. We think its critical to get outdoors, to take a walk, hop in a canoe or get in the car and go experience and see your surrounding looking for inspiration in unlikely places. 

Here is a recent example from Stephen Frey.

Recently I drove around where I live looking for design inspiration for our architectural, placemaking and creative work.  The hills outside of Montpelier have lots to offer this time of year with the seasonal transition from winter to spring.  I look for intriguing forms, shapes, textures colors and compositions.  Here's a historic 100 year old plus 1-1/2 story cape style farmhouse, mid-house and barn combination I found.  The creaking bend in the barn frame caught my eye evoking the timeless play between building and landscape, and the inevitability of nature and time.  Also, the simplicity and sturdiness of the forms intrigued me as well as almost matching roof slopes between home to barn.  

For me, I find inspiration in the barn board, the red time worn color on the siding, the white trim, field stone walls and foundation, and yes the grass, mud and snow.  I also get a kick out of the form follows functionality of the barn windows sizing and layout. Often these windows are laid out reflecting the internal milking stalls providing views outside during milking.  Also, the front-house, mid-house, back-house barn connected building layout is an enduring aspect of our vernacular landscape.  Note how the site is cut with the barn's levels allowing easy access to the middle floor and lower levels at opposing grades?  This appears to be a smaller general purpose barn used to farm a small tract of land with a small amount of animals and room for hay above. 

Barn on Kent Corners Road - Stephen M.  Frey 

Barn on Kent Corners Road - Stephen M.  Frey 

What do you have around where you live? Do you have common to your area vernacular building forms or traditional buildings?  They often have a lot of endearing qualities, even more so, if you don't own one and are trying to keep up with all of the quirky ongoing maintenance. 

That's another story.  Bottom line, get outside and take a look around and really look to see what lies in plain view for inspiration for your design project's materials, colors, mood and detail character.  Try to suspend your preconceptions about what's there and really take your time looking.  You won't regret the effort.

You will no doubt find unexpected insight and a treasured memory.  

Design thinking and doing: Arranging rocks

Sea glass and rocks in hand - Stephen M. Frey

Sea glass and rocks in hand - Stephen M. Frey

     What do you do to cultivate your creative design capabilities? Practicing architecture, art, photography, graphic design means just that, practice and training.  

     So practice means doing and sometimes practices means playing.  

Sea Glass and Stones, 2.23.17 - Stephen M. Frey

Sea Glass and Stones, 2.23.17 - Stephen M. Frey

     One of the things we do is play with rocks and creat impromptu compositions. We do so to quickly iterate an idea and test it. We look to create balance, variety and visual interest while creating a point of focus.  

     Sometimes we photograph these ideas. Other times we just play. Setting up a layout again and again. Admiring each for a moment, then rearranging them. Over and over again. This is practicing how to compose, to see and to self-critique. 

Marblehead Rocks Rearranged - 11 x 22 Watercolor on 140lb Cold Press, Stephen M. Frey

Marblehead Rocks Rearranged - 11 x 22 Watercolor on 140lb Cold Press, Stephen M. Frey

      Sometimes these arrangements make it to a painting. Here's one such example from a few years ago. That day the sun shone really low providing illuminating side light to the stones and the green sea glass. It caught our eye as a metaphor for the passion of creativity emanating an inner light which models how it feels creatively from within.  Kind of warm inside, glowing and knowing we call it!

      Do you practice like this to hone your creative eye and hands? What do you do? Please share! 

#creativity, #designthinking, #design, #making #HowTo